![]() The bigger standard deviation of occurrence frequency is, the lower the overtopping probability of rubble mound breakwater is. It is found that the inclusion of the variability of tidal elevation has great influence on the computation of the expected overtopping probability of rubble mound breakwater. The rubble mounted breakwater Model is made from a pile of stone measuring D50 0.725 cm with a slope of 1:2, subsequently in simulated with 3 different types of wave height ( H) in the ranges of 6 cm to 10 cm and wave period T in the ranges of 1.3 s to 1.8 s) at 2 kind of water depth ( d 17.5 cm and D 19.5 cm). Among the calculation procedures of annual maximum wave height, wave height-period joint distribution, wave run-up height and occurrence frequency of tide, only the annual maximum wave height is again chosen randomly from normal distribution to consider the uncertainty. Analyzing the annual data of the tidal fluctuation measured hourly during 355 days, the distribution of occurrence frequency is formulated utilizing by the normal distribution with one peak. The tidal elevation used in this study is collected from the east coastal part of Korean peninsular. In this study, the occurrence frequency of tidal elevation obtained from the real sea is included. However, the realistic distribution of tidal elevation should influence on the overtopping chance. Rubble mound breakwaters behave as a static granular system until wave energy is higher than the one needed for the initiation of movement. In their calculation, the fluctuation of tidal elevation was expressed by the sinusoidal change that yields the uniform distribution of occurrence frequency. Introduction Damage in rubble mound breakwaters can be defined as the partial or total loss of its functionality and it is usually related to the hydraulic instability of the armor layer 1,2. ![]() The physical model of scale factor 1/30, was designed in such a way so it resembles part of a system of detached breakwaters located parallel to the shoreline, in a coast of constant slope 1/. A calculation method of expected overtopping probability of rubble mound breakwater was proposed by Kweon and Suh (2003). In the present study, the flow induced by waves around a physical model of a detached low crested rubble mound breakwater is investigated experimentally. Assessing the interaction of waves and porous offshore structures such as rubble mound breakwaters plays a critical role in designing such structures optimally. A new calculation method of expected overtopping probability of rubble mound breakwater considering real tide occurrence has been proposed.
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All of the LP covers were quite different from each other so I was keen to give them some sort of continuity, so it appeared as a logo on all the reissues. I asked Gloria if it was OK to use, and she said Terry had done the original design. When I came to do the remasters artwork, I was designing the first g//z/r record with Gloria at the same time. Hugh: I always liked that as a motif, but didn’t want to use it without permission. Anyway, was basically looking to see if Henry’s usage on the 96/98 reissue was your idea, or if it was actually around for the original release. Other people I’ve talked to claim that Geezer came up with it, and technically owns the copyright to it. Geezer can’t remember where it was first used. The first place I can remember seeing it was on a single from the Never Say Die album. Anyway, was that symbol involved in the original release, or was that something you chose to put there? I ask, because I’m trying to track down the first usage of that symbol. The physical discs for that release have the flying demon image that has been seen for bloody ages, that Geezer tells me is called “Henry”. Me: I know it wasn’t issued in the recent Universal series of remasters, but it was at the tail end of the 1996 Castle series in 1998. Here’s our email exchange (posted with permission): His reply is interesting, and seems to pinpoint the earliest true usage. As time went on with the site work, I got a hold of Hugh Gilmour, who has done a lot of artwork for Black Sabbath over the years, and he was credited with art design on that remaster series. However, I never remembered it being on the old vinyl and cassette tapes I had back in the day. I was a bit perplexed by this, as the original release of this compilation was late in 1975, which if accurate would be the earliest usage. So, as I continued the work for the Jan 2012 re-launch of this site, I was doing some scanning of back cover art, and discovered this on the 1998 remaster of “We Sold our Soul for Rock & Roll”. Was also on the 2007 compilation, “ The Dio Years“. Both in the “Matthew 25:41” circle image shown at the top of this page, and as well as the “Wal-Mart exclusive” cover art, which can be seen here. The most visible, I suppose would be Bill Ward’s drums on the 1999 Tour.ĭespite all of it’s uses over time, it’s only ever appeared on a few album covers. Henry is actually animated there, which was a new wrinkle. If you haven’t seen that carnage, check it out here. The most recent I think would be the really horrendous music video for the track “Bible Black in 2009. It’s been used a boatload of times over the years on numerous things, including several bits of artwork connected to the band. I saw it used in a tour promo logo as well as on the cover of a single from that album. WHEN was the first time we saw Henry? The earliest I could remember was on the Never Say Die album. It’s a logo that’s been in use for a long time, and that was a point of contention with me. :) Henry is of course the “flying devil” or “flying angel” or whatever you want to refer to it. He’s something akin to Iron Maiden’s “Eddie”, although Henry has never come out on stage live. Thing is, most people didn’t know he’s called Henry. If you’re a Black Sabbath fan, especially a long time one, you’ve seen Henry a bunch of times. ![]() ![]() 8 soldiers were killed, and 15 enemy soldiers killed before they abandoned the attack. The site was hit at 2AM the next morning in pouring rain and fog. That site turned out to be on top of Nui Ba Dinh, and the only way in and out was via helicopter, and that was only when the mountaintop wasn’t enveloped in clouds! The month ended up being 6 weeks before we were replaced on 8-17-1968 late afternoon. After spending several weeks as a radio operator at semi-mobile fire support bases, there was a call for volunteers and I agreed to go to a signal site as a security force for a month assignment(this was in the 1st day or two of July). I was a soldier in co B of the 125th signal battalion based in Cu Chi after arriving in Vietnam 4-15-1968. Thank you for your sacrifice for our country. If anyone knows how to replace these things or even just knows him feel free to text 2764699399 or email I am so appreciative of all you brave people. I want to show him how much we appreciate his sacrifice. I want to surprise him with a replica of his uniform & insignias just to show him that we haven't forgot his service to the country. I want to surprise him because his father's house caught fire like 40 years ago & he's not seen nothing military related since then. I'm trying to figure out how I can replace his uniform & insignias. He not only lost his home but all his regalia. He lost all his military things in a house fire. His discharge certificate stated he was released in 1972. After his tour, he was stationed in Fort Hood for a while. He then went to Korea & was in Camp Alex Williams from April 1967 - May 1968 he did a 13 month tour. He was drafted in 1966 & November that year he was sent to Fort Bragg then to Fort Jackson for training if I'm not mistaken. He is not only my grandfather - he is my dad, mom, best friend, & hero. He adopted me at 10 & raised me my entire life. As an American born & raised, I can never repay all the Veterans for their sacrifices. Hello I want to start by saying thank you all for your service. ![]() This may include your telephone number, email, office address, or even your social media networks. One way to do this is by including contact information on the site. Artist Contact Details: After going through your portfolio, what next? 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TV Personalities Kourtney Kardashian, Joe Francis, Khloe Kardashian,Kim Kardashian arrive at the Girls Gone Wild Magazine Launch party held at Area Nightclub on Apin West Hollywood, California. My bedroom TV was almost always tuned to Spike TV or Comedy Central - prime hunting grounds for late-night interstitial smut - and even when I was drifting off to the ethereal sounds of endless South Park reruns, my limbic system sparked back to life as soon as it sensed the spirit of Joe Francis. ![]() Nothing pierced through my pubescent sleep patterns quite like those Girls Gone Wild steel drums. If they have a different Geographic Coordinate System then look at Transformations in the Data Frame Properties and make sure the correct one is set for transforming the GCS of the new layer to that of the Data Frame and presumably of the original layer. ![]() If they are the same CRS then the GIS source has made some error in the new file or corrected some error in the old. The magnitude of the displacement is typical of an incorrect GCS transformation, but to confuse that you mention that the displacement is variable.Īlso, I'm not sure what you mean by " Both shapefiles are projected on NAD 1983 in zone 18N ": do you refer to the Data Frame projection or the CRS of the files as shown in layers Properties > Source or in ArcCatalog under the shapefile Properties XY Coordinate system ? Good luck, I'll look forward to seeing how this mystery turns out. Clearly, they did not do any ground truthing. Maybe they just mixed up data from a recreational GPS rather than an RTK or survey GPS. Once you contact the contractor you could also go through the steps they took to see if someone did a transformation from WGS84 to NAD 1983 and used a wierd algorithm. It seems especially glaring in view of the obvious variable displacement from Google Earth imagery which shows lot lines (sidewalks, fences etc.) in Pembroke so clearly I could see drawing them straight from that.Īnyway, it would be educational if you have the time to go through the steps of checking the ground point surveys in the new photomosaic, look at how the photos were orthorectified and mosaiced and see if you can spot the error. This would be a case for going back to the contractor and getting them to fix it. However, it seems just a bit disturbing that the new orthophotos and the shapefile drawn from them ARE inaccurately georeferenced. Parcel fabrics may not be legal lot surveys, but they should be as accurate as possible. You might also consider regeoreferencing the new photomosaic and then spatially adjusting the new shapefile to match, but again same deal. Another alternative would be to use the spatial adjustment tool and shift the whole thing to match your old shapefile, but this would apparently involve some rubbersheeting so I'd be hesitant to waste my time fixing a contractors error. to copy it over one parcel at a time or use a spatial join and add attribute fields to your existing shapefile. ![]() If there is new information in the New parcel shapefile pertaining to existing parcels then you can use the attribute transfer tool. I wasn't able to do anything with the xml file you posted, but it sounds like you've resolved things anyway with the news that the original was drawn from survey plans. AND to boot, it is also important since you've noted that all sorts of utilities layers are based on the same datum. ![]() If you have confirmed that the old parcel shapefile is accurate then you should stay with it, period. Question: how do I re-align these so they match?Ĭan anyone explain why the 'correct version''s coordinates do not match those of Google Earth? ![]() If I have left any information out that might help solve the problem please let me know and I will do my best to answer. When comparing the same google earth coordinates to the same point on the new land parcels layer they differed by 3m and 8m for Eastings and Northings respectively. Some places line up well but others are skewed, either to the north east, south east, you name it.īoth shapefiles are projected on NAD 1983 in zone 18N, and when comparing some coordinates on the original map to coordinates on google earth (plotted on WGS 84)they were a close match - 0.5m difference. Some of the parcel's edges were misaligned by up to 20 metres in some places.īiggest issue - not a uniform misalignment. This would not usually cause any problems but when I uploaded the new shapefile and placed it over the existing one, the road edges and property lines did not line up. This update is in fact a new shape file that I am to replace the old shapefile with. I have been given an updated version of the land parcels layer for a geodatabase that covers the company's service area (From Hunter GIS). ![]() Set the image in the layer as default image. The layer may be used to draw help lines. UseAsForeground=false means that the preciding frames do not use a foreground Set this foreground for all preciding frames up to a previous background command. UseAsBackground=false means that the following frames do not use a background Set this background for all following frames up to the next background command. True: if the successor of a frame is a duplicate then this duplicate will be removed and its duration will be added to the duration of the frameĬommands to define how the layer content will be used: The default value is 0, which means infinite. The number of cycles the animation should be played by a viewer application. You may also use fps (frames per seconds) which will be mapped to a duration (duration = 1000 ms / M) Use this to add the creator of the file or other info.ĭisplay time in milliseconds. Remove duplicates from frames: see NoDups=ĪSCII text only. Initial means that they will be redefined if the related commands are used in the layer names. ![]() But a smaller file size means a lower quality (100 means best quality but biggest size).ĭepending on the variant you can define some initial settings in the dialog. Loosy encoding can reduce the final file size drastically. In the lossless case the slider has impact to the speed of the encoding and the final file size (100 means slowest encoding but smallest size). ![]() You may select lossless and loosy encoding. This allows the encoder to optimize the quality of the image, If this option is checked then no metadata will be written to the file (no Exif, XMP, or ICC profile). Right click the preview window to get a context menu containing several commands. Creates a temporary file containing the animation and plays the file in a preview window. Only enabled if the file variant is WEBP Animation. WEBP Animation (layers define the frames of the animation) The save dialog allows you to select the file variant to create: The first options define the basic encoding of the final image This plugin supports the following languages in the moment: The fallback is the first supported language of the plugin. The language used in the plugin depends on the language setting of Paint.NET and the support of this language by the plugin. To verify the installation you should restart Paint.NET and check that in the filetype popup of the open file selector dialog is an entry starting with AWEBP. The location of the FileTypes folder depends on the installed variant of. You may use this plugin together with Paint.NET w/o any restriction.Ĭopy the folder ImAWEBP.FileType together with its content (/.dlc/.deps.json) into the FileTypes folder of. 'PNG Animations and Images' FileType PluginįileType, WEBP, AWEBP, Animated WEBP, Animation 'GIF Animations and Images' FileType Plugin Together with the 'GIF Animations and Images' FileType Plugin you can convert from animated GIF to WEBP and vice versa. Maximum value of width and height is 16383 pixels This plugin never preserves existing metadata (EXIF, XMP, ICCP) but may add its own EXIF metadata (comments, resolution). WebP supports an alpha channel, lossless and loosy compression, and true color. The plugin does its best to reduce the size of the final file. On save the plugin will convert all layers to frames respecting the information found after the marker '//' in the layer names. Some information from the file (like frame duration or comments) will be stored in the layer names after the marker '//'. Frame 1 will become the bottom layer and so on. On load the plugin loads all frames from the file and adds them as layers to a new Paint.NET document. Animated images contain a sequence of images called frames which a viewer application can show as an animation.īecause decides on the file extension which file loader will be used you have to change the extension of the WEBP file to. Loads and saves WEBP animation and image files. AWEBP)įind the latest version of the plugin here: ImAWEBP.FileType v1.4.zip 'WEBP Animations and Images' FileType Plugin (.WEBP. |
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